With the C500 Mark II, the camera uses an oversampling process from the 5.9K image capture to produce 4K (DCI or UHD). The C500 Mark II utilizes the same 4″ LCD Monitor touchscreen (LM-V2) that is compatible with the Canon C500 Mark II. Before Canon announces their latest cinema camera tomorrow, here’s … Just like the C500 Mark II, the C300 Mark III features Electronic Image Stabilization (EIS). Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. Many shooters will be confused as to which offers the better value proposition. Relevant outputs are MON., HDMI, SDI OUT, and VIDEO terminal/EVF-V50. Considering the RF lenses that are now available and the ability to adapt not only Canon EF, but a wide range of other mounts it is puzzling to say the least. EF to PL mount (PM-V1) 3. Two cameras that share the same exact body, with a lot of the same functionality and feature set, separated by only a few key items. However, it does work when you are shooting in 2K Super 16mm Crop mode up to 112fps. The EOS C500, EOS C300 Mark II, EOS C700 & EOS C700 FF were all met with mixed reactions, and all those models failed to gain any real traction in the market. Canon USA With image stabilization, unlike autofocus, certain generalities hold true (unless intentionally crippled). Before Canon announces their latest cinema camera tomorrow, here’s … “Form factor has been key to the success of the Cinema EOS line since the original C300. The newly developed 4K Super 35mm DGO imaging system captures high dynamic range content by reading out … Users can also choose from a wide range of additional optional accessories that allow them to configure the EOS C300 Mark III camera to their preferences. "It's the perfect companion for the EOS C500 Mark … *Frame rates above 59.94 can only be recorded in Cinema RAW Light 10-bit. A unique parallel readout process within the image sensor separately extracts the four individual components, including the two spatially offset green components (green has twice as many spatial samples as the red and blue components). Copyright © 2020 Canon India Pvt Ltd. All rights reserved. This sensor, however, is completely new and features what Canon calls DGO (Dual Gain Output) - dual photo diodes on each photosite. If you want to know why cameras such as the new ALEXA Mini LF don’t have high frame rates I would imagine that it is because they want the Dual Gain Output to work in every mode on their cameras. If you want to download the full specifications of the camera you can do so above. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. You may be asking why doesn’t the C300 Mark III have an RF mount? Users can change the lens mount themselves without assistance from a Canon service center. Apart from the features that already made the C500 Mark II an interesting proposition – internal Cinema RAW Light recording, Dual Pixel Autofocus – in my opinion, there are two new features of the C300 Mark III which are most interesting about this camera: The newly introduced Dual Gain Output (DGO), which essentially combines two amplifications of a moving image into one, achieving a dynamic range (according to Canon) of 16… If the subject is out of focus the box will turn grey and the arrows will indicate which way to adjust the lens to regain focus. Because the media recording slots are on the side of the camera and not at the back there is no room to put them on the operator’s side of the camera. A gyroscopic sensor mounted within the body of the camera reports on angular rates along reference axes. Each pixel in the camera’s CMOS sensor is configured with two photodiodes. Working in tandem with the modular design of the EOS C300 Mark III are the extension units. This is a strange one considering the camera was just announced. The Canon EOS C300 Mark III Cinema Camera is scheduled to be available sometime in June or July for an estimated retail price of $10,999 USD. Only four M3 screws are required to implement the change out to the alternative mounts. It has been more than 4 ½ years since Canon announced the C300 Mark II, and that’s a long long wait with how fast technology has been moving. He is the Editor of Newsshooter.com and has been writing on the site since 2010. I personally think that the C500 Mark II, C300 Mark III, and the EOS R5 are Canon’s most significant announcements since the original C300. In December 2019, the C500 Mark II was released and soon followed by the C300 Mark III earlier this year. On paper, the C300 Mark III looks like a great camera and there is certainly a lot to like. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. Both cameras have physical dimensions of (W x H x D) 6.0 x 5.8 x 6.6″. Even though the Sony FX9 has full-frame sensor, it can only record in resolutions up to 4K, and it is priced at a similar amount to the C300 Mark II. This is exactly what Sony did with the F5 and F55. Cameras & Photo. If SDR is being recorded onboard only that same SDR can be externally recorded. Canon’s Cinema RAW Light isn’t uncompressed, but the files still contain more than enough information to give you very clean images, good color accuracy and a smaller chance of seeing any image artefacts. プロクリエイター向けの情報サイト。EOS、CINEMA EOSをはじめとする映像制作機器の活用事例をご紹 … That means you can’t use it if for example if you were shooting a 23.98p base and wanted to shoot at 60fps. Canon now has a well-featured camera that sits at a price point that is still obtainable for a lot of owner/operators. This innovative approach totally avoids any of the reconstruction errors inevitably associated with algorithmic debayering and this forms the basis for a clean artefact-free final recorded image. Would you buy one? We posted some Canon Cinema EOS C500 Mark II specifications a couple of weeks ago, and we continue to receive trickles of new information about the soon-to-be-announced camera.. We have received some confirmation that the Cinema EOS C500 Mark II will have the same full-frame sensor as the Cinema EOS C700FF, and will be capable of recording in 5.9K internally to the CFexpress. It makes a lot of sense going with the same exact body for both cameras, as you can share accessories between the two models. Canon EOS C300 Mark III. Last month, Canon has officially announced the new Cinema EOS C500 Mark II – the only Cinema EOS camera from Canon in 2019. Just like the C500 Mark II, the C300 Mark III can shoot in Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Normal 1, and Wide DR. LUTs Image copyright Dave May (@davetallstory) Preset Viewing LUTs can be assigned for each output. Automatically obtains focal lengthWhen a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS. EOS C500 Mark II è dotata di un nuovo processore d'immagine DIGIC DV 7 che permette di registrare internamente in formato Cinema RAW Light a 5.9K nonché in formato Canon XF-AVC 4K 4:2:2 a 10 bit. If you’re just using Canon still lenses then probably not. Again, just like the C500 Mark II, the C300 Mark III has a built-in Diffraction Correction System. The biggest advantage the Sony FX9 has is that it is already available. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. Kastar Fully Decoded Battery Replacment for Canon BP-A30 BP-A60 BP-A90 Battery, CG-A10 A20 Charger, Canon EOS C200, C200B, C220B, EOS C300 Mark II, C300 Mark III, EOS C500 Mark II, Canon XF705 4K UHD 4.4 out of 5 stars 11 But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our lab test looking at the dynamic range and rolling shutter of that camera here). The modular body is expandable to suit all of your filming and the accessories are the same as the C500 Mark II for greater flexibility and compatibility. As the 3rd generation camera in the C300 series, the EOS C300 Mark III further refines the functions which made the previous cameras highly popular in documentary films and broadcast. hands-on look and footage from filmmaker Dave May, Tentacle Sync Track E Pocket 32-bit float Audio Recorder– Recording & Transmitting Audio, Sigma “I” Series full-frame mirrorless lenses, Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, Full Frame 6062 x 3432 (20.8 MP) CMOS sensor, Electronically-controlled ND filter system, which supports 2/4/6 and an extended 8/10 stops, S35 Dual Gain Output CMOS sensor Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, External 16-bit raw 4K/2K up to 120 fps to a compatible device*, Newly developed S35 4K CMOS Dual Gain Output sensor, User-changeable Lens Mounts (EF, Locking EF, PL), EF, PL, anamorphic and Spherical Lens Support, Dual Pixel CMOS AF with Touch AF and Face Detection AF, Internal ND filters (clear, 2, 4, 6, 8, 10 stop – 8 & 10 with extension), 4K Cinema RAW Light, and 2K Cinema RAW Light, 4K DCI or 4K UHD digital production formats with XF-AVC Intra codec, 2K DCI or 1080-line HD digital production formats with XF-AVC Intra, 4K/UHD/2K/HD Long GOP 4:2:2 10-bit recording, Proxy video recording using XF-AVC LongGOP, 1 x 1/8″ / 3.5 mm Stereo Headphone Output. Canon goes on to say that this new sensor is capable of 16+ stops of dynamic range with reduced noise in the shadows and improved low light performance. Here are some info about upcoming Cinmera EOS cameras that are expected to be released in 2020. Well, why not put them on the back of the camera? Just to be clear, anytime you select the full-frame shooting mode on the EOS C500 Mark II and you are recording XF-AVC you are oversampling the 5.9K sensor. The C300 Mark III is identical to the C500 Mark II and you would struggle to tell which camera is which when they are sitting side by side. We made sure to keep certain measurements the same, in order for users to be able to continue to use certain Cinema EOS and third party accessories that they’ve grown to rely on. The modular body is expandable to suit all of your filming and the accessories are the same as the C500 Mark II for greater flexibility and compatibility. The reason is … This is a Next Generation Recoil rig designed for optimal balance and comfort when shoulder mounted or on a tripod. If you want to see all the frame rates, data rates, etc. The C300 Mark III is physically identical to the C500 Mark II except that it is based around a Super35 sensor. Operation device and software of IP streaming (EOS C500 Mark II, EOS C300 Mark III) 17th June 2020 With some EF lenses, the camcorder may take longer to … However, the information we’ve received about this camera contradicts what we were told previously. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. One is in the lens itself (the optical phenomenon of diffraction) that sees a progressive lowering of optical MTF as the lens aperture is stopped down. How long can you record for in the various resolution, frame rates, and codecs? The new sensor uses a Dual Gain Output (DGO) which I will talk about in-depth in the next section. That camera uses the smaller Super35mm size sensor, similar to APS-C. Like the C500 Mark II, the image is still recorded squeezed and the final de-squeeze happens in post. This flexible design can be configured according to the shooting and equipment requirements, right down to the lens mount – which can be changed between EF, PL or EF Cinema Lock without the need of converting by a service center. According to Canon, the DGO sensor produces images optimized for HDR by creating two images. The EOS C300 Mark III is flexible and lightweight. The EF mount has been a staple of the Cinema EOS ecosystem, but you have to wonder why they didn’t decide to go with the newer RF mount. The camera can be customized to be quite small or quite large depending on what you are doing. Canon says that the most dynamic range (16+ stops) can be achieved when shooting at 800 ISO in Canon Log 2. We posted some Canon Cinema EOS C500 Mark II specifications a couple of weeks ago, and we continue to receive trickles of new information about the soon-to-be-announced camera.. We have received some confirmation that the Cinema EOS C500 Mark II will have the same full-frame sensor as the Cinema EOS C700FF, and will be capable of recording in 5.9K internally to the CFexpress. How does DPAF work? The EIS system only operates when recording in XF-AVC or XAVC Long GOP– it does not function when recording CinemaRAW Light. 2048 X 1080: 50.00P/60.00P, YCC 4:2:0 8-bit 35 Mbps/24.00P/25.00P,YCC 4:2:0 8-bit 24 Mbps Long GOP. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. It is with HDR that DGO will be noticeable. As they work together you don’t have to choose one or the other. In the case of external recording either the 12G-SD, I or the HDMI interface may be used. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. If you have just bought a C500 Mark II you may well be feeling a little jealous of the C300 Mark III. The Dual Pixel Focus Guide presents the user with a rectangle in the center of the EVF or monitor. If in fact, the camera does have 16+ stops of actual dynamic range that would give it the most dynamic range of any camera on the market. Now, there is a catch with this Dual gain Output system. What you also have to take into account is that if you use the XLR inputs on the module, whatever you plug in is going to be sticking straight out (unless you have angled connectors). The rectangle turns green when the subject is in focus. By adding a V-lock or AB battery on the back of the module, this will not only allow the EOS C300 mark III to have longer run times, but it should also help with better weight distribution if you want to shoulder mount the camera. Below is a comparison between the two cameras: Canon is touting that the C300 Mark III can be used for a variety of applications including documentaries, TV programs, TV news, and corporate videos. Selected category All. From what I have seen, if you move off the cameras native ISO the DGO isn’t as effective when shooting at higher ISO levels. The EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic. The successor to the Canon EOS C300 Mark II that Patrick uses as his B-cam is a versatile 4K Super 35mm Cinema EOS System camera. It features a V-lock or AB battery plate and gives you two additional audio inputs (more on the audio later). The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. I asked a Canon spokesperson whether there was a technical limitation with trying to use DGO on a full-frame sensor and they told me that because of the processing requirements when using DGO it is a lot harder to do on a larger sensor. We also have another article with a hands-on look and footage from filmmaker Dave May, so please make sure you check that out too. Include description. Die EOS C300 Mark III der nächsten Generation verfügt über den neu entwickelten Canon 4K Super 35mm DGO-Sensor mit 4K 120p Zeitlupe, hohem Dynamikumfang und Dual Pixel CMOS AF – und das alles im gleichen Gehäuse wie die EOS C500 Mark II. While the Canon EOS C500 Mark II offers frame rates up to 60p in 4K and 120p in 1080 HD, the Canon EOS C300 Mark III is faster, with 4K at 120p and 180fps shooting in HD. I wrote an article last year about the changing direction of the camera market, In that article, I wrote: As Steve Jobs famously once said, “If you don’t cannibalize yourself, someone else will.” With companies such as Blackmagic, Z CAM, and Kinefinity disrupting the market, the big manufacturers need to start cannibalizing themselves if they want to stay relevant. Selections from the included shim sets can be added for precision adjustment of the flange back. At 3.9 lb they are only marginally heavier than the EOS C200 (3.2 lb). This is exactly the same as the C300 Mark III. Now, one thing to note though, on the C300 Mark III Face detection only works up to 60p. EOS C300 Mark IIIの活用事例をまとめました。 ... CANON LOG TECHNICAL SITE. It does this without any cropping of the sensor. One prioritizes highlights and the other prioritizes shadows and dark areas. Face detection AF is another autofocus mode that can track a person’s face in the frame and maintain focus on them. キヤノンのデジタルシネマカメラ「EOS C500 Mark II/EOS C300 Mark III」が、公益財団法人日本デザイン振興会が主催する2020年度グッドデザイン賞において「グッドデザイン金賞(経済産業大臣賞)」を受賞しました。 The standard EF mount is non-locking. The C500 Mark II is the latest Cinema EOS camera from Canon and looks to be positioning itself as a very versatile and capable camera! The sensor has a physical size of 26.2 x 13.8 mm (29.6 mm on the diagonal. Therefore, it was of ultimate importance for the engineers to maintain that philosophy with this new product, while also considering feedback from Cinema EOS users. Both paths feed into the camera’s A/D converters. Canon has just officially announced the new Cinema EOS C300 Mark III camera and a new 25-250mm zoom lens today. Something the C300 Mark III can do that the C500 Mark II can’t is XF-AVC Long GOP 4:2:2 10-bit recording. 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